![]() ![]() ![]() Heder’s script doesn’t turn Ruby’s realization into a dark dilemma that threatens to split the family apart. The central conflict is that Ruby (played by Emilia Jones), who is her family’s conduit to the hearing world, discovers a passion for singing-an artform the other Rossis can’t really connect to. Whereas Heder’s debut film, Tallulah, was interesting if overwrought, CODA finds the right balance of melodrama and mundane detail. Read: 30 films that are unlike anything you’ve seen before Even so, CODA is insightful and moving enough to be worth all the fuss. So it arrives on streaming this weekend saddled with quite a bit of hype for a little indie movie. It won both the Grand Jury Prize and the Audience Award at this year’s Sundance Film Festival, generating enough buzz to be acquired by Apple TV+ for a record-breaking sum. Yes, you can slap trite labels on this movie: It’s a feel-good tale, an inspirational work filled with tears, emotional breakthroughs, and a dash of sly humor. Heder wrote and directed CODA, a remake of a hit French film, and her most distinctive touches as a storyteller come in tiny, astute observations. When she’s shaken awake, she signs a startled “What’s wrong?” to no one in particular, her head still in the world she just left. Then she goes to school, often so tired that she’ll fall asleep at her desk, to the bemusement of her teachers. Early in the morning, she works on her family’s fishing boat, sorting fresh-caught haddock from the boots that get stuck in their net and, as the only hearing member of the Rossis, helping translate sign language to vendors onshore. Ruby Rossi, the titular “child of deaf adults” in Sian Heder’s new film, CODA, lives a bifurcated life. ![]()
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